Kiss Me Extra Hard — Track-by-Track Review

by Cadence Wright | November 12th, 2026


Photo by @maytalstar

With the release of Kiss Me Extra Hard, Henry Morris invites listeners into a project that explores the many different sides of love, desire, and the complications that come with both. Across eleven tracks, Morris moves between vulnerability, physical attraction, complicated relationships, and moments of musical experimentation, creating a record that doesn't limit itself to one interpretation of love. What makes this album particularly interesting is the way it balances its more emotionally driven moments with tracks that offer something a little different, allowing listeners to experience several sides of Morris' artistry. Rather than telling one straightforward story, Kiss Me Extra Hard feels like a collection of experiences, each offering another perspective on the complicated nature of human connection.

Drugs and Money

Opening with "Drugs and Money," Morris establishes the central tension that runs throughout the record, the difference between temporary satisfaction and genuine emotional connection. The title immediately introduces ideas of excess, temptation, and the things people turn to in an attempt to fill a void. Musically, the track also works as an introduction to the album's overall sound, giving listeners an early sense of the production style Morris carries throughout the project. The relationship between the instrumental and his vocal delivery helps establish the atmosphere before the album moves into its more varied moments. As an opening track, it sets the emotional direction of the album and gives listeners an idea of what they're about to step into. I also think the decision to use the album's first single as its opening track makes the project feel intentional from the very beginning. Having released this song ahead of the album, Morris gives listeners an introduction to the sound and themes they can expect throughout the rest of the record.

High All The Time

"High All The Time" explores the idea of chasing the feeling that comes with the beginning of a relationship, almost as though that initial excitement is something that can never quite be recreated. The addition of G-Eazy introduces another voice into the track, adding a different dimension to Morris' songwriting. The song's subject matter also fits into the album's recurring exploration of desire and emotional attachment. I don't think many listeners would have immediately expected G-Eazy's vocals to blend so naturally with Morris', but it's an unexpected combination that somehow makes sense once you hear it. Their contrasting styles end up working surprisingly well together, making the collaboration one of the more interesting moments on the record.

Crawling Back To You

Photo by @maytalstar

There is something particularly compelling about the idea of repeatedly returning to someone, even when both people recognize that the relationship isn't necessarily good for them. "Crawling Back To You" explores that contradiction, capturing the difficulty of separating yourself from someone you've become emotionally attached to. Rather than presenting love as something entirely romantic, the song sits in the uncomfortable space between knowing better and wanting someone anyway. The more subdued feel of the track gives its emotional moments room to stand out. I think this is the first track on the album where Morris genuinely begins to show a more vulnerable side of himself. The song gives listeners a deeper look into how he views his connection to a past relationship and the difficulty of moving forward when part of you still feels tied to it.

Yayo

"Yayo" offers a noticeable shift in the album's pacing and gives listeners a different side of Morris' musical approach. Its upbeat energy makes it stand out from the tracks surrounding it, giving the album a fun change of pace. Following several tracks that introduce complicated ideas surrounding love and attachment, this song feels like a welcome change of energy. I think "Yayo" was a really great addition to the album because of its more upbeat, dance-oriented sound. It gives listeners a chance to take a small break from some of the heavier emotions explored throughout the record. I also think it's quite different from anything Morris has released in the past, making it a new experience for longtime listeners. Seeing him experiment with a different sound and bring some diversity into his music was a particularly enjoyable part of this album.

Sex With My Ex

The title alone introduces one of the more complicated sides of revisiting a past relationship. There is a difference between missing someone and missing the familiarity of having them around, and that distinction can make a relationship particularly difficult to leave behind. "Sex With My Ex" presents an interesting perspective on the blurred boundaries between physical attraction and emotional attachment. I think this track specifically helps tie together several of the album's recurring themes, particularly the difficulty of getting over a past relationship. While the song approaches that subject from a more physical perspective, there's still an underlying emotional attachment that comes through. It highlights how wanting someone physically doesn't necessarily mean you've moved on from them emotionally.

One Night Stand

"One Night Stand" introduces another perspective on intimacy, this time through the idea of a connection that is potentially temporary. Within an album so heavily concerned with love and longing, the contrast between fleeting encounters and lasting emotional attachment is particularly interesting. It raises the question of whether physical closeness can ever really replace the kind of connection Morris spends much of the record exploring. The overall feel of the track adds to its more carefree, detached perspective on relationships. Unlike some of the other tracks, we get less of a focus on the feelings behind a relationship and more of an exploration of what a strictly physical connection looks like. This difference makes it an interesting addition to an album that otherwise spends so much time exploring emotional attachment. 

Rather Fight

Perhaps one of the more interesting concepts on the record, "Rather Fight" explores the contradiction of loving someone even when being with them isn't always easy. There is something revealing about preferring the familiarity of an argument with someone you love over the possibility of finding happiness elsewhere. Morris approaches the subject through a perspective that isn't necessarily flattering or idealistic, but feels recognizable in its emotional complexity. It is an interesting reminder that love and compatibility aren't always the same thing. I think this song has a way of turning something that might otherwise seem toxic into something beautiful. It captures the complicated reality of being so attached to someone that even the difficult moments can feel preferable to the thought of being without them.

West Coast Sun

"West Coast Sun" gives the album an opportunity to explore a different atmosphere from the relationship-centered ideas surrounding it. The title creates an immediate sense of place, and the setting becomes just as important as the story being told. The song takes a darker approach to young love, telling the story of two teenagers caught in circumstances bigger than themselves. Through its lyrics, Morris creates a picture of California that exists beyond the usual romanticized image of the West Coast, exploring vulnerability, difficult relationships, and the desire for a different life. I think the contrast between the imagery often associated with California and the reality presented in this song makes it particularly interesting. It offers a perspective that feels much more grounded and less idealized.

My Girlfriend

With "My Girlfriend," Morris brings Ella Boh into the album, introducing another voice into a record that is otherwise largely centered around his own perspective. The song's lyrics give the track a more personal feel, placing the relationship at the center of its narrative rather than treating it as a passing subject. I think bringing Boh into the track and allowing her to put her own spin on it gives the song a really great twist. Her vocals introduce a different perspective and add a dynamic that wouldn't quite be there with Morris alone. The two artists' contrasting vocal styles complement each other incredibly well, allowing Boh to contribute something of her own rather than simply accompany Morris. It makes the collaboration feel natural and gives the song an added dimension beyond what either artist might have brought to it individually.

Dove On A Wire

There is something intriguing about the imagery of a dove balanced on a wire. Doves are traditionally associated with peace and innocence, while a wire suggests instability and the possibility of falling. That contrast makes the title particularly interesting when considered alongside an album concerned with complicated relationships and emotional uncertainty. The song follows the memory of a relationship, capturing the bittersweet feeling of loving someone who is no longer there. Through imagery of a goodbye, an industrial setting, and two people who struggle to see eye to eye, Morris creates a sense of longing that feels both intimate and melancholic. Despite their differences, there's an undeniable attachment that makes letting go seem almost impossible. This track has a more melancholic feel that complements the subject matter without taking away from the story being told. I think it's this combination of affection and incompatibility that gives the song much of its emotional weight.

I Can Be Your Daddy

Closing the album with the focus track, "I Can Be Your Daddy," is an interesting choice, particularly considering the emotional territory explored throughout the preceding tracks. Album closers have a unique responsibility, they leave listeners with the final impression of an entire project. Beneath its provocative title, the song reveals a much more vulnerable dynamic between two people who are trying to navigate love without ever having learned what it is supposed to look like. There is a sense of mutual dependence, with both people offering each other the care and protection they feel they've been missing. It ultimately becomes less about the promise of being someone's everything and more about two people trying to figure out how to love one another. I think this underlying vulnerability makes the song an interesting way to close out the record, leaving listeners with a perspective on love that feels considerably more complicated than its title might initially suggest.

Bringing The Album Together

Ultimately, Kiss Me Extra Hard is an album that I think gives listeners a lot to take away from it. Across eleven tracks, Morris explores different sides of love, from the excitement of wanting someone to the frustration of being unable to let them go. What I enjoyed most about this project was the variety between the songs and the way Morris isn't afraid to experiment with different sounds while still maintaining the emotional themes that carry throughout the album. There are tracks that feel vulnerable, others that are more playful, and some that leave you with a little more to think about after listening. I think that's what makes this album particularly enjoyable, it doesn't feel like Morris is trying to tell listeners just one story or present one version of himself. Instead, we're given a collection of different experiences that come together to create something that feels personal and distinctly his own. Kiss Me Extra Hard is a project that I can see myself coming back to, and one that gives listeners an opportunity to discover something new with each listen.


Catch Henry on Tour now with Artemas:

NOV 12, 2026

Bataclan

Paris, France

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NOV 14, 2026

Rockhal

Esch-sur-Alzette, Luxembourg District

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NOV 15, 2026

E-Werk

Köln

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NOV 16, 2026

X-Tra

Zürich, Switzerland

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NOV 18, 2026

Sala Apolo

Barcelona, CT

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NOV 20, 2026

Fabrique

Milan, Lombardy

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NOV 22, 2026

SaSaZu

Praha 7

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NOV 23, 2026

Progresja

Warsaw, Masovian Voivodeship

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NOV 25, 2026

Docks

Hamburg, HH

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NOV 26, 2026

Huxleys Neue Welt

Berlin

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NOV 29, 2026

Fallen

Stockholm, Sweden

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NOV 30, 2026

Rockefeller Music Hall

Oslo, Norway

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DEC 1, 2026

Vega

Copenhagen, Denmark

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DEC 3, 2026

La Madeleine

Brussels, Brussels

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DEC 7, 2026

Melkweg

Amsterdam, Netherlands

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DEC 10, 2026

Edinburgh Corn Exchange

Edinburgh, UK

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DEC 12, 2026

O2 Victoria Warehouse Manchester

Manchester, UK

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DEC 13, 2026

O2 Academy Birmingham

Birmingham, UK

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DEC 14, 2026

O2 Academy Brixton

London, UK

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